Heather Goodwind was born in Scranton, Pennsylvania in 1973, and grew up between Berkeley, California and Key West, Florida.
In 1996 she graduated from Portland State University with a BA in Sculpture and co-founded Gallery 214 in Portland's Old Town district.
In 1997 she moved to Brooklyn where she began sculpting with found materials. This was also the beginning of her small format drawings in books which now number over 600 works.
In 2003 she relocated to Buenos Aires, Argentina, where she was based until 2012. There she participated in the Palacio Mexico artists' cooperative from 2005-7.
During 2007-8 she spent 12 months in China and SE Asia, studying with local and traditional artists, as well as visiting the burgeoning movements in 798 and the artist villages outside of Beijing and Shanghai.
She lived from 2010-12 in the Argentine coastal town of Santa Teresita, producing her first series of larger format works on paper.
In 2012 she returned to Portland, Oregon where she continues to live and work.
My works represent a constant outpouring of singular impressions: clearly isolated images that capture flashes of emotion, changes in perception or moments of recognition.
I give fleeting thoughts as much consideration as monumental ideas: nothing is more important than anything else and every small thing has its place. This gives the works a cumulative effect: the parts clarify the whole.
|Pollock Krasner Foundation, Project Grant||Leland Ironworks, Ford Family Foundation Golden Spot Residency Award|
|PLAYA at Summer Lake, Artist Residency, Upcoming - Spring 2018|
|Art in Embassies, U.S. Department of State, Public Collection, Monterrey Embassy, Mexico|
|The Drawing Center, Viewing Program, NYC|
|2017||The Inner Landscape Asian Art Platform, Singapore, SGP|
|2017||Rock, Paper, Mirrors Basil Hallward Gallery, Portland, OR|
|2016||The Inner Landscape FireHouse Gallery, Grants Pass, OR|
|2016||Abstract Landscapes West Linn Library, West Linn, OR|
|2014||After Every Tempest Come Such Calms Portland Center Stage, Portland, OR|
|2007||Recent Works Instituto Municipal de Cerámica de Avellaneda, Buenos Aires, Argentina|
|1997||Pretty Gallery 214, Portland, Oregon|
|2017||Leland Iron Works Residency Show Pacific Northwest College of Art, Portland, OR - Upcoming: opening reception November 2nd, 5-8pm, exhibition closes November 22nd|
|2017||Affordable Art Fair Asian Art Platform, Singapore, SGP|
|2016||Line It Out - Formal Elements In Art Gretchen Schuette Art Gallery, Salem, OR|
|2015||Not Simply Here - Heather Goodwind and Renee Couture Betty Feves Memorial Gallery, Pendleton, OR|
|2015||New Work By Gallery Artists Portland Art Museum Rental Sales Gallery, Portland, OR|
|2015||Abstract Statements: Heather Goodwind, Bill Jehle and Christopher Conroe Juanita Salazar Lowe Art Gallery, Imperial, CA|
|2015||Heather Goodwind and Kendra Larson Lower Columbia College Art Gallery, Longview, WA|
|2014||New Artist Show Portland Art Museum Rental Sales Gallery, Portland, OR|
|2014||Seattle Erotic Art Festival Jurors Brom, Mollena Williams, Tracy Cilona, Mark Atwood and Heather Lanier, Seattle Center Exhibition Hall, Seattle, WA|
|2014||Tiny Vision Juror Shannon McBride, Lakewood Center for the Arts , Lake Oswego, OR|
|2014||Left Coast Annual Juried Exhibition Juror Jenny Gheith, Sanchez Art Center, Pacifica, CA|
|2014||Lilliputians March Juror Mark Ruschman, Purdue University Galleries, West Lafayette, IN|
|2014||Oregon Artist Showcase Juror Elizabeth Spavento, Chehalem Cultural Center, Newberg, OR|
|2013||28th Tallahassee International Juried Exhibition Museum of Fine Arts, Florida State University, Tallahassee, FL|
|2013||Less is More: Small Works in a Great Space Jurors Jack Rasmussen and Joann Moser, The Elizabeth Meyers Mitchell Gallery, Annapolis, MD|
|2013||24th Annual Juried Show Juror Erin Cosgrove, Contemporary Arts Center, Las Vegas, CA|
|2007||Presence Juror Ken Feingold, Center for Modern Psychological Studies, New York, NY|
|2001||DaVinci Days Corvallis Arts Center, Corvallis, OR|
|2000||Juried Drawing Show Corvallis Arts Center, Corvallis, OR|
|2000||Monoprints Open Show, Malca Fine Art, New York, NY|
|1996||Three Visions Gallery 214, Portland, OR|
For ten years, from 2002 to 2012, I worked almost exclusively in Moleskine sketchbooks. There are 12 books in total, with approximately 50 drawings in each book.
I numbered every page of every book and never tore one out. I signed each drawing as soon as it was finished and never retouched one that was signed. When I reached the end of the book, I went back and forced myself to complete and sign any unfinished pages before starting a new book.
Now I work on individual pieces of paper and stretched canvases, but I still make them in sequentially numbered series, and still follow the same rules I applied to the Moleskine books. They are all here on my site, which I view as my permanent record.